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A man’s vulnerability has never been seen this raw.
ONE PAGE
Title: The Passage
Tagline: The only way out is in.
Genre: Drama; Magical Realism
Like: Into the Wild (2007) meets Eternal Sunshine of the Spotless Mind (2004)
Audience: 17 and up
Logline: Matthew returns home to the 1,200 mile Ice Age Trail where he ebarks to end his life; but finds a passageway through which he reenters and reexamines a lifetime of missed connections.
Summary: Recently out of a job and relationship, Matthew abandons his life to return home to the 1,200 mile Ice Age Trail where he intends to end his own life. In the solitude of the trail, childhood memories of neglect not only surface, but become a passageway through which he relives them as an adult. He has spent a lifetime trying and failing to find the missing nurturance and completeness outside of himself. The navigation of the trail, and his past, reveals Matthew to be a survivor at his core; and the unchangeable mistakes of the past become the strength that saves his life in the present.
Director’s Note: There’s a fantasy we hear all too often, “if only I were a kid again;” or one step further, “if only I could start again with what I know now.” How terribly depressing so many of us regard the present with such disdain. Matthew is given passage to re-enter his childhood as an adult, and experience first hand how truly disturbing that fantasy really is. The past isn’t meant to be perfect, it’s not meant to be pre-planned, written and controlled, it’s meant to be made up of the mistakes and tribulations that make us who we are.
MARKET EXAMPLES
OUTDOOR RISING
Outdoor Apparel Market size was valued at USD 35 billion in 2023 and is anticipated to register a CAGR of over 6.6% between 2024 and 2032. A growing interest in outdoor activities such as hiking, camping, running, and other recreational pursuits contributes significantly to the demand for outdoor apparel.
Box Office:
Wild • $50 Mil
Into the Wild • $55 Mil
127 Hours • $60 Mil
Free Solo (Doc) • $17 Mil
Alone (TV) • 12 Seasons
INDEPENDENT BUDGET RETURN POTENTIAL
Figures based on box office alone
Moonlight • 1.5 Mil • 4300% return
The Whale • 3 Mil • 1900% return
Anora • 6 Mil • 1400% return
Nomadland • 5 Mil • 760% return
PERSONAL JOURNEYS
Behavioral Therapy Market is estimated to be US$ 295.14 billion by 2030 with a CAGR of 8.5%... As a result, market competition is intensifying, and both big international corporations and start-ups are vying to establish position in the market.
Box Office:
Moonlight • $65 Mil
The Whale • $57 Mil
Anora • $40 Mil
Nomadland • $38 Mil
Baby Reinder (TV) • Netflix #1
CURRENT TRENDS
INDIE IS BACK
It speaks for itself, and is reflective of an upcoming generation interested in challenging perspectives, relationships, social-awareness, and courageous self-exploration.
AUTHENTICITY
THE
MARKET
WANTS
A NEW
KIND OF
HERO
While younger generations are struggling with external relationships, they are diving within in search of answers.
UNIQUE POINTS OF VIEW
A lifetime study of the moving image, from Tarkovsky to Malick to the work of Chayse Irvin, The Passage is envisioned with a diversity of techniques to take the viewer beyond the limits of linear storytelling.
GENRE-BLENDING
The Passage is a simple personal story with a vast internal journey, intersecting time, dream and reality; hearkening back to timeless indies like Enternal Sunshine of the Spotless mind.
RESEARCH
WRITER • DIRECTOR • PRODUCER
Corey Kupfer received dual BFAs in Film and Creative Writing from UW-Milwaukee. and an MFA in Directing from NYU’s Tisch School for which he spent four years in Southeast Asia . He has been working as a freelance commercial director and producer for more than 10 years; and his first feature film Seven Days, completed for a mere $45,000 with a crew of less than ten people, was distributed by Gravitas Entertainment and is currently available on Amazon Prime.
Corey is a turn-key filmmaker, with expertise in nearly every department, giving him the insights necessary to take an economical budget and deliver images, performances, and original stories that stand against anyone else in the industry—an essential skill set as we enter a new era of feature filmmaking.
“I set out to make Seven Days as a work example that proves I can handle a feature amount of material, I had no expectation that it would connect with people as it has, much less be distributed on major platforms.”
DIRECTOR’S STATEMENT
In 2023, I spent seventeen days hiking the state I once called home. The isolation of the trek brought reverie for a life already passed—exploring woods, partying in cornfields, passing time aimlessly with first girlfriends—a passageway to that unmistakable aliveness felt growing up.
Rosy Retrospection stands a stark contrast to the disillusionment of the present, and all the ways our lives didn’t turn out like the idealistic movies and TV shows we model ourselves after.
Why does it bring comfort to escape to a past that was filled with confusion, hardship and loneliness? Because it’s an escape from the confusion, hardship and loneliness of the present.
Like millions others, I have turned to psychotherapy and spirituality to journey back in time to the lonely child who sought nurturance, in order to understand the adult who seeks happiness everywhere but within the present, and within oneself.
What is often overlooked is what we needed then, we can give ourselves now. Surviving the struggles we have all faced, is the proof we have everything we need to thrive in the present. This is Matthew’s journey, deeply personal and nuanced, and by no means to any extreme. An emotional journey rarely attributed to a man, and one everyone can find their own story within.
THE PASSAGE SYNOPSIS
Recently out of a relationship and barred from seeing her, Matthew suffers an emotional collapse. Disillusioned and alone, he empties his Chicago apartment and crosses rural Wisconsin by bus toward his older brother Peter’s home near the Western Terminus of the 1,200 mile Ice Age trail—a trek he has no intention on returning from.
On his way, he recalls childhood memories of struggling to cross vast distances of woods in the wake of his athletic and capable older brother, and the return home to parents celebrating his brother’s leadership and courage, while he sat in his shadow.
Peter has all the signs of success Matthew doesn’t, the home, luxury SUV, wife and kids… Matthew borrows from his brother’s array of backpacking gear still bearing tags, while Peter copes with a life of adventure gone unfulfilled, and redirects the pain at Matthew, pressuring him to break his sobriety with him.
In the solitude of the trail, Matthew suffers challenges of exhaustion, water filtration, predators, and the like, standing in no shadows but those his own mind creates. His memories not only continue to surface, but become a literal passageway through which he relives them as an adult. From the trail, he stumbles upon his childhood backyard. His father, younger than himself now, calls out as they return from the adventure he recalled days before. This time, as his parents laud Peter, Matthew stands up for himself, but the past doesn’t change to his liking, and his parents only double-down, exiling him for his disobedience.
As Matthew continues, his past mirrors the present. With no nurturance at home, he sought validation from a girl at school, Kimberly. As he battles with miles of trail, he recalls failed attempts for her affection. As he’s beaten down by dehydration, so too is he by his childhood bully Tyler. When he crosses the passageway, to face off against Tyler as his adult self, he finds himself still unable to fight back. A bloodied past mirrors a bloodied present.
At a resupply, Matthew finds respite from his past in an seemingly idilic town, and makes quick friends with a seemingly idilic woman, Angie. He spends the night with her group of lifetime friends that feels like childhood camaraderie among grown adults; and he relishes in the connection. A one night stand with Angie invigorates hope, to save him from himself, his past, and the trail. He shares with her delusions of moving to her small town. Angie, like all rural women, doesn’t live in fantasy, and doesn’t indulge his.
Matthew spirals out, breaking his sobriety in present, and careening through a traumatized past. He recalls movies as a childhood respite from loneliness, love stories that shaped his naive and idealized present outlook. As he hits bottom, he recalls at just six years old receiving the ridicule of his entire family for crying at the end of Sleepless in Seattle when father reunites with son.
Hungover and hopeless, it’s unclear if Matthew’s even on the trail itself, trudging along as he explores the depths of his past for an escape. He takes the passageway to his high school girlfriend’s home, his first love. He tries with all the effort he has left to right his past wrongs so that they stay together and bring happiness to his present. But his intense adult values are in stark contrast to her teenage ones, and he finds himself in horror: his mid-life open heart facing off with her seventeen year old sexual hormones. When he rejects her disturbing advances unto his adult self, she feels painfully rejected and casts him out. No where else to go, Matthew runs back to his childhood home, hoping to get the nurturance he needs from his mother. He speaks to her honestly, but a young and struggling mother herself, she cannot reciprocate.
With nothing left but his current reality, Matthew climbs a transmission tower crossing through the woods, and jumps off.
Dead or close to it, bloody and broken on the forest floor, Matthew recalls a missing chapter from his childhood adventure with Peter, when his brother was stuck on a dangerous ledge of the Lake Michigan bluffs and frozen in fear. Matthew scaled the wall to reach him, and allowed him to climb down his own back, carrying his brother’s weight, to a safe level below. While Matthew may not look or act like the movie image of a hero, surviving the pain of his past, and the trail in the present, reveals to himself the survivor that’s always been within.
Matthew drags himself, with broken arm and leg, across the forest floor, day and night, covered in sweat, blood and mosquitos, and lays to rest on the shoulder of a country road.
Matthew awakens in a hospital room, where his brother and parents stand by. With splint and bandage, Matthew is at his parent’s house with his brother’s family and they all behave as if they haven’t missed a beat. His father’s dismissive remarks toward him no longer take effect, and he finds contentment in himself, watching the rest of them drown their feelings in booze.
Back in Chicago, Matthew’s ex-girlfriend comes back to him in a fit of worry, unable to reach him for these pasts weeks. She offers her affection, and an open door to her company; but in the end, Matthew chooses himself.
A JOURNEY INWARD
“Modern mass culture, aimed at the 'consumer', the civilization of prosthetics, is crippling people's souls, setting up barriers between man and the crucial questions of his existence, his consciousness of himself as a spiritual being.”
Andrei Tarkovsky