Which is the greater villain?
The killer who preys on his victim?
Or the system that preys on us all?
ONE PAGE
Title: Heart of Man
Genre: Thriller; Crime
Like: Psycho; Zodiac; Taxi Driver
Audience: 17 and up
Logline: After her girlfriend disappears, a determined young woman takes on a web of wealth and power protecting the shadowy billionaire who last saw her.
Concept: In a modern adaptation of Alfred Hitchcock’s timeless Psycho split structure, a first half of personal character conflicts with themselves and their world makes them vulnerable to the darkness brewing alongside. A shocking midpoint twist sends us into a second half thrilling until the final moment and thematic payoff.
Summary:After losing her brother in a workplace accident, literary prodigy Danielle loses the financial means to afford her university tuition. She forms an unlikely bond in a support group with Shawn Heller, the reclusive heir to a multi-billion dollar empire. Shortly after accepting his offer to pay her tuition, Danielle vanishes. As Heller’s high-powered influence isolates him from accountability, no one is willing to investigate—except Danielle’s determined girlfriend, Katie, the daughter of an elite California politician. What begins as a white savior misdirect quickly devolves into a unsettling descent, as Katie uncovers forces far more terrifying than Heller himself.
Director’s Note: I wrote the first darft in 2016, and now that the influence of wealth in America has been proven to go beyond capital hill, to protecting unforgivable criminals, it is no better time for Heart of Man.
THIS
IS
AMERICA
MARKET EXAMPLES
THE KILLER THRILLER
A timeless genre, audiences have been enraptured since before the invention of the moving picture. From Crime and Punishment, to Psycho, to Silence of the Lambs, audiences cannot get enough of what they fear.
55% to 80% of the U.S. population regularly consumes true crime. Over 42 million Americans listen to true crime podcasts monthly.
Box Office:
Weapons • $270 Mil
True Detective • HBO #1
Mare of Easttown • HBO #1, Most Watched Finale
Sharp Objects • HBO #1, Best Series Premiere
GENRE COMMENTARY
The Millenial and younger viewers have moved away from the mainstream, are down to talk about the issues, and want their entertainment as informed as the independent news media they follow.
1 in 5 U.S. adults regularly get their news from independent media sources. Brands are shifting budgets away from traditional broadcast ads toward independents with U.S. ad spend alone surpassing $37 billion.
Box Office:
Parasite • $263 Mil
Sinners • 372 Mil
Get Out • 260 Mil
The Substance • 77 Mil
WRITER • DIRECTOR • PRODUCER
Corey Kupfer received dual BFAs in Film and Creative Writing from UW-Milwaukee. and an MFA in Directing from NYU’s Tisch School for which he spent four years in Southeast Asia . He has been working as a freelance commercial director and producer for more than 10 years; and his first feature film Seven Days, completed for a mere $45,000 with a crew of less than ten people, was distributed by Gravitas Entertainment and is currently available on Amazon Prime.
Corey is a turn-key filmmaker, with expertise in nearly every department, giving him the insights necessary to take an economical budget and deliver images, performances, and original stories that stand against anyone else in the industry—an essential skill set as we enter a new era of feature filmmaking.
“I set out to make Seven Days as a work example that proves I can handle a feature amount of material, I had no expectation that it would connect with people as it has, much less be distributed on major platforms.”
SYNOPSIS
Danielle Byers, a low-income literary prodigy, grieves the death of her brother and the high cost university tuition he was helping provide. Shawn Heller, heir to a multi-billlion dollar corporation, is hiding on the opposite side of the globe from his family business’ latest merger in Hong Kong. The unlikely pair find common ground at a self-harm support group where his fixation on Danielle is immediate, akin to the sister he lost as a child, and jumps to offer financial help, an offer a little too forthcoming… at first.
Something in Shawn's past gives his family business partners reason to worry, and his two cousins Jordan and Joel, and his lawyer and uncle Aaron keep a close eye, even contriving the support group with a psychologist on the payroll to provide intimate information on Shawn. The womb of protection doesn’t permeate into Shawn’s secret apartment, where he invites prostitutes to roleplay strange fantasies.
With Danielle gone absent from meetings, Shawn’s fixation turns to stalking, checking in on her old residences and using his influence to enroll in her exclusive MFA program, inevitably putting himself in her path. While odd, Shawn understands Danielle in a way few others do, and she comes around to him as an outsider, like herself, as she struggles to access the system meant to celebrate and turn her talents into capital.
It is only Danielle's girlfriend Katie that is suspicious (and jealous) of Shawn's true intentions. Katie is the daughter of an elite California politician, and comes from a wealthy home that won’t approve of her daughter’s relationship, and certainly won’t step in to help. Danielle ignore’s Katie’s concerns as another voice that couldn’t understand, eventually accepting the generosity of Shawn’s wealth as her only option.
Danielle visits Shawn's secret apartment to collect the funds—a visit she does not surface from.
Six months later a missing persons report has been filed, Shawn was questioned, and because of her background it is quickly assumed Danielle took Shawn's money and skipped town. Yet another in a stack of three-hundred-some minority missing persons cases a month that go uninvestigated. The only one left questioning is Katie—a seeming white savior narrative in the making—who keeps a keen eye on Shawn and his family business partners who won’t leave his side.
Katie tries every avenue, expecting help from the world that supports her own privilege. The detective on Danielle’s case, David Geliz, urges her to leave it to the professionals. The University Danielle once idolized has too, turned its back, barring Katie from questioning its administrators. As a last straw Katie pleads with her own parents, who aren't interested in having their daughter involved with Danielle's “type,” needing to stay politically clean.
Shawn’s own cousin Joel begins dropping clues for Katie, which leads her to the self-harm group he met Danielle at, and eventually to his second home no one knew existed. She breaks in and finds a melange of harrowing evidence, including a family photo of Shawn's long-estranged adopted sister, a likeness to Danielle, and a binder of obsessions with similar young women crossing into bloody fantasies. Shawn's unexpected arrival turns into a chase through the streets Katie narrowly escapes.
The next morning the LAPD is released upon Shawns's so-called second home, only to find a squeaky clean empty space and landlord claiming he's never heard of Shawn.
Officer Geliz takes a last sweep of the empty apartment guided by a peculiar piece of evidence. Just as he confirms Katie's testimony true by a sliver of evidence, Shawn’s uncle and lawyer arrives to notify him and his superiors that Shawn has been called to Asia, never to return to Los Angeles again. With everything but winks and nods out in the open, Geliz’s superior pressures him to accept the quick clearance and buries another minority girl in a pile of paperwork.
Geliz is left broken, and disgusted, with himself and the department he can no longer lie to himself about.
Having gone against her kind in the upper echelon, Katie descends to the bottom, broken among the forgotten souls riding the city bus to work each morning.
Upon Shawn’s arrival in Asia, his father humiliates and beats him into submission in front of his top business associates, a reminder of the hell that created the monster, and the monster’s self-hatred.
Across the border in Baja, Mexico, Danielle lives. She roams freely, healing from the wounds left during her presumed escape from Shawn’s grip. She finds her way to a circle of indigenous women, where she puts pen to paper in sacred hills, connected to spirit, free from the systems that promise the world, while taking your life.
DIRECTOR’S STATEMENT
Imagine if in Hitchcock’s Psycho, instead of Marion’s trite money-grab as misdirection, we actually asked, 'Who is vulnerable to victimization, and what desperation puts them at risk?' In Heart of Man, a low-income wunderkind, a billionaire, a politician’s daughter, and a police detective all play their part.
I first wrote Heart of Man ten years ago, as always wanting my work to stand on the path forward. In the time that has passed, the path has caught up to it, and the influence of the wealthy elite is on everyone’s minds.
Heart of Man is a film that any moviegoer will enjoy, a surprising killer-thriller, a classic interpreted for modern day. Below those layers, there are hard questions about ourselves as Americans in a system failing to serve us, and the part we each play.
Heart of Man is a dark story, but in facing our darkness there lies hope.
“Art would be useless if the world were perfect.”
Andrei Tarkovsky